Meet the emu who does the talking
Some children who are shy in conversation will chat endlessly through a puppet. That is the real strength of this Folkmanis stage puppet. The child slides an arm in, the beak opens and closes on a squeeze, and suddenly the emu is the one speaking. It takes the pressure off the child and puts it on the character.
The plush is a wild, two-toned mop of soft fur with oval eyes and a lively face. It looks a little silly, and that matters. A puppet that looks ready to misbehave invites expressive language straight away.
What the beak builds
Opening and closing the beak means flexing the fingers and thumb against each other, over and over. That is the same hand strength and finger control children draw on when they hold a pencil or use scissors. Moving the beak in time with their own words also builds coordination between voice and movement, which is harder than it sounds.
Once the beak is moving, the language follows. A three-year-old might simply say hello and ask the emu questions. A five-year-old will give it a name, a personality and a problem to solve. By six, many children run a full puppet show for siblings, grandparents or a row of soft toys.
From picture books to puppet shows
The emu is a natural partner for Australian picture books. Edwina the Emu and Olga the Brolga both give children a plot to retell, and the puppet gives them a way to act out the story in their own words. Retelling builds sequencing and comprehension, the skills teachers look for in the early school years.
It works equally well for solo play and group play. One child can narrate both sides of a conversation, or two children can each wear a puppet and talk to one another. Play is silent, so it sits easily in a bedroom, a playroom or the back seat on a long drive.
The puppet is worn on the arm and weighs around 118 g, light enough for small arms to hold up through a long performance. Keep it clean with a damp sponge and mild liquid detergent. It is surface-washable only, not machine washable.