Watch it take off
The first thing children do with this puppet is make it glide. The body is sculpted in a gliding pose, so it already looks mid-flight. A sweep of the arm sends it from the couch to the bookshelf, while the fingers open and close the mouth.
It is a hand puppet, so the child is the engine. Every sound, voice and plot twist comes from them, which is exactly what you want at 3 to 5 years, when pretend play moves from copying real life to inventing new scenes. By 5 and 6, the same puppet becomes a performer in scripted shows for family and friends.
Where the skills build
Working the mouth and steering the puppet takes controlled finger and thumb movement, and it asks the hand to do several jobs at once. That is the same coordination used later for holding a pencil and cutting with scissors. Giving the puppet a voice builds confident speaking and listening, because children have to decide what the glider wants to say and how it would say it.
There is a real-world hook too. Sugar gliders are nocturnal marsupials that glide between trees in Australian forests, which makes this puppet a good starting point for talking about Australian animals: where they sleep, what they eat and how they move. Note that Folkmanis designs this puppet as a flying squirrel, a different animal from the sugar glider, and the two make a good comparison.
Easy to use, easy to store
There is nothing to assemble and nothing to charge. The puppet is about 38cm long, 15cm wide and 5cm tall, and weighs about 64g, so it packs flat into a toy box or a car seat pocket. It is quiet play, which suits a rest-time puppet show, a car trip or a sibling's nap next door. It works solo, with a parent as audience, or as one character in a group puppet show.